NEWS: Listen Out Announces 2024 Line-up
The upcoming Listen Out festival heralds the debut appearances of several international stars on Australian soil, promising an eclectic blend of musical prowess and innovation.
Leading the charge is Grammy award-winning Atlanta luminary, 21 Savage, whose platinum-certified discography including "Savage Mode" and "Issa Album" is set to captivate audiences Down Under for the very first time.
Joining him is the British-Nigerian titan of grime, Skepta, who is set to unveil his highly anticipated album "Knife and Fork" just ahead of the festival, offering fans an exclusive sneak peek into his latest sonic endeavors.
Teaming up with Skepta is rising sensation Flo Milli, whose meteoric rise in the music scene has been nothing short of extraordinary. With hints of a collaboration brewing between them, Listen Out holds the promise of unforgettable performances.
Meanwhile, Lil Tjay, fresh off a string of sold-out shows in Australia, returns to the stage with his chart-topping hits "Brothers", "F.N", and "Calling My Phone", ready to ignite the crowd once again.
In the realm of dance music, John Summit and Sub Focus emerge as formidable forces, with Summit's recent Coachella performance and Sub Focus's boundary-pushing soundscapes setting the stage for an electrifying experience.
South African sensation Tyla brings her unique blend of Amapiano and R&B to the festival, while Canadian singer-songwriter Jessie Reyez and the trailblazing Blessed Madonna ensure a diverse and dynamic lineup.
True to its ethos of inclusivity and diversity, Listen Out continues to champion homegrown talent, with a lineup of Australian artists spanning the spectrum of electronic, hip hop, and dance music.
With each edition, Listen Out reaffirms its status as a cultural beacon, uniting music lovers from all walks of life in a celebration of creativity and community. Prepare for an unforgettable journey into the heart of sound at Listen Out 2024.
For more information and for tickets — head to the festival website.
